1000 Lines of Light
Journeys (series)
ReView (film)
Double Obscured
Liminal Times
1000 Lines of Light
Images that created poems that created images.
Mini zine / digitally printed newspaper.
Published 2023.
Journeys
Car journeys, bus journeys. Late night taxies, early morning commutes.
Published 2019 - 2023.
ReView
Film that was the legacy of the ReView Exhibition & Gathering Project. Directed and edited by Jenny Keogh, Stand Out Films.
Narration and curation by me. Thinking about the power of objects that we put so much time, and skill and feeling into… and how so much of what we surround ourselves with will outlast us on the earth.
2022
They’ve been hiding their light in boxes.
Tucked away from dust but also tucked from any chance of ever being
touched
admired
free.
These objects, receptacles of so much care and attention.
The hundreds of hours shaping, forming.
Acquiring the know-how
to create from just raw materials and imagination that picture which had taken root inside your
head. The thing you had to realise, to understand in more then 3 dimensions.
They’ve been formed with fire and with science.
Ground by history.
Cut with intention.
Polished by strength of feeling.
They are not passive objects they scream a story if we only try to hear them, if we only give
them space to breath.
An artist should be prepared to kill their darlings. They say that it is not good
to become too precious.
Move on, move up, and make way for the next shiny, glittering thing.
So we create more and more
keeping our heads above water
perched on unstable piles of that which accumulates.
Glass could be around for a million years, far outliving us,
Lingering longer than the trees
Staying, remaining still, though streams divert and climates change.
A disgraded bottle could become a lasting legacy,
although we may see through it we should not look past it -
repair, reuse, ReView.
They will not so quietly, be set aside to gather dust in boxes,
Under light and sky and lens they are again
for a short time, free.
Double Obscured
Experiments made during my short residency in PS2 in 2022. The glass panes naturally pixilate the view. I thought it would be fun to play with this, and combine it with other textured glass.
Liminal Times
A sort of lockdown diary with images and text.
It was important to be that it was a newspaper rather than a series of prints or a purely digital collection of images. Partially, as an alternative to the ever present news but also to have a physical object, something solid to hold, crease and fold from these uncertain times.
‘In these liminal times we observe the borders between one thing and another. Where realities are softened and the edges blur. We spend hours watching the skies.’
Broadsheet Newspaper, Digitally Printed.
Made between March and October 2020.
Shown in pasted up in 2 Belfast alleys, Ards Arts Centre and R-Space Gallery.